DESPERATE
JOURNALIST
(John Peel session may 1979)
Hey mister a review
A word for salad
Is written by my friend
Ian Penman
He uses long words
Like semiotics and semolina
But I counter
With
Enigma
And metropolis
The lads go rampant on insignificant symbolism
And compound this with rude soulless obliqueness
(Everything's coming to a grinding halt)
I use such long words
It's all clever stuff
All this charming childish fiddling about aims for the anti-image
But it naturally creates the perfectly malleable image
Tantalizing enigma
Of the Cure
They try to take
Everything
But the Cure really
They're just trying to sell us something
Their product is more artificial than most
This is perhaps part of their
Masterplan
But it seems more like their naivity
(Everything's coming to a grinding halt)
They've got willowly songs wallow
In the murk and marsh
Tawdry images
Inane realisations
Dull dull dull epigrams
Sometimes they sound like an avant-garde John Otway
Or an ugly Spirit
(No
sound no people no speak no people)
Toy drumming
Sprightly bass
Primitive guitar riff
(no me no people no you no people)
Check the sheet out of my favorite book
People don't forget the Penman
It's just that in 1979
People shouldn't be allowed to get away
With things like this
I say
|
PLAY
FOR TODAY (live Bournemouth 1979) :
It's not a case of doing what's right
It's just the way I feel that matters
Tell me I'm wrong
I don't really care
You're always wanting someone else's love
You're always waiting for something to happen
But nothing ever happens
It's not a case of telling love lies
I don't...
How you're watching others through open window
Drawn to life, drawn to the bodies
Tell me I'm wrong
I don't really care
PLAY FOR TODAY (live Oxford 1979) :
It's not a case of doing what's right
It's just the way I feel that matters
Tell me I'm wrong I don't really care
You're always wanting someone else
You always wait for something to happen
But nothing ever happens
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