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| Star Sound, Zurich, Switzerland 17 October 1996 (after the show)
It
was actually a very strange evening tonight 'cause... We played a concert
in Paris two nights ago. It surpassed all our expectations 'cause normally
Paris is like London, very cold, kind of 'prove it to us, prove you're
good'. And it was really mental. As soon as we walked on, all the place
was just like... 15,000 people just screaming. And we had a long night
yesterday. The night after the Paris show. It's like 5 or 6 days into
the tour. And we all went out together to talk about the rest of the tour.
And it turned like an early morning kind of night. And all the flights
were cancelled in Paris. We were supposed to fly at 2 o'clock this afternoon.
So we actually had to leave at 8.30 or something this morning. We walked
out of a bar onto the bus. So we had 8 hours in the bus today. We arrived
in a very strange frame of mind so... We played a lot of different songs tonight. The biggest difference between this tour and every other tour that we've ever done is that the atmosphere on stage is really really good. And it's not just me saying it's really good. The band really likes each other. And it shows. Every second nights, we introduce a new song... We played over a 100 different songs since we started touring this year. Which I don't think many bands do. Most groups can stick to the ones that work, the ones the audience is fond of. We probably did songs tonight the audience didn't want to hear. Like 5 or 6 songs, they're not familiar with. But I think that overall what we try to do is like a unique performance. So every concert is completely different. Tomorrow we're going to Italy. Treviso. It will be a completely different set of songs. It started off because I wanted to do different songs every night. Otherwise I feel really... The thing that was wrong with the Wish tour is that I got really bored at the end. I knew what songs were coming next. We only played 9 songs from
Wild Mood Swings. It's almost like the older songs that we're doing, that
we haven't done before -we haven't done Cold or Like Cockatoos, songs
like that for more than 10 years, so they're like new songs anyway. The
older people in the audience kind of recognize them. It's also very weird,
the make up of the audience on this tour. It's like a huge range. People
that were outside when we did a signing in a record shop in Paris were
really young, lots of 13, 14, 16, 17 years old, people you would imagine
would go to that kind of things. But at the concert they're really old.
And so is me. (laugh) I'm in my mid-thirties. But it's good it allows
us to do a lot of different things. The others were really worried in
America I was choosing to change the set so much so we couldn't actually
get settled in making things work for a particulary type of person. There
isn't a particular type of person that comes to a Cure concert in Europe.
It's absolutely impossible to, you know... There's no such thing as a
typical Cure fan. That's weird. In Paris we changed the set completely from the night before, in America we did like two nights in New York, we played 3 songs the same from the first night to the second night. And it was like the biggest thing in the reviews, the second night was like 'they didn't play any song the same'. But it's mainly because we've got songs to play. If we didn't , we couldn't. In the old days, we played the same songs every night. So it's not like I'm trying to prove something. But I want to play different every night 'cause it makes me think of different things, it makes me feel a different way. If I wasn't doing this I'd be at home. And it's nice being home. I've developped a life at home that's very enjoyable. So this has to be important. But it's not that important. I've been asked twice in my life to write music for a film. But none of the cases was the right feel. I think that some point I'd like the Cure to do a film soundtrack. That'd be really good. But it's not easy. It's hard to decide to do it. You have to know the right kind of people and it has to be the right feel. There's no point in spending 6 months writing a film soundtrack for a shit film. The problem nowadays is that there's a lot of interest in groups like us, to put songs like our songs into a film 'cause it sells. It has nothing to do with the film, it's the only reason. We can of fell for it for Judge Dredd, we did a song called that and it's really stupid, one of my worst mistake. But The Crow, we did one for that, was different. I really liked that film. But I would like the group to do a whole soundtrack not just a song. But it's difficult to know the right people. It's difficult to get involved. It's really important to me that I don't turn into someone who just does this. It would be so fucking boring if this was me. It'd be horrible. And I've seen so many people do it. That's why every time we did something, I want it to be different. Otherwise it's pointless. If I come off stage and go 'that's great, where we're going now, a club ?'. I come off stage and I'm completely exhausted, I'm shattered. I just want to go to bed. I don't really like the idea of an anniversary year. It's like what you do when you're dead. I don't know... If the group gets to the end of this year and we all talk to each other and we like each other then we'll do another Cure album. Historically the group always breaks up at the end of a long tour. We all hate each other. I'm doing this for very selfish reasons, I'm really enjoying myself on this tour. More that I haven't on any other tour. And probably because I know this is gonna be the last time that we do it. The difference between the Cure now and any other time is when I come off stage I want to be exhausted and I want people thinking that was a really really good concert. In the old days, I didn't care. If they went away thinking we were shit, it didn't bother me. And now it does. That's why we play Just Like Heaven, Deep Green Sea. Sometimes I don't feel like singing them. But at the same time I think if I sing this really well, if we play this really well, there are people in the audience who are going to go 'its the best I've seen', that's become important to me. (thank you Marika)
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