TV APPEARANCES :
Formel Eins : The Lovecats
Munchen, live concert
Munchen : Shake Dog Shake
Bananas : The Lovecats
Oxford Road Show : 2 songs
The Tube : 3 songs
TOTP : The Caterpillar

TOURS :
The Top Tour (UK-Europe)

RARE INTERVIEWS :
Libération newspaper

BBC Radio 1 Janice Long

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JANUARY

Reading, Eden Studios

Recording the Top album. Robert Smith played on most instruments except drums, Phil Thornalley being in Australia producing and Lol being unable to follow physically (he helped with some lyrics though). The sound on record reflected that : large amounts of alcohol, magic mushrooms (inspiring Throw Your Foot's lyrics), living an alienating life style... Also Robert would often jump on a cab to join the Banshees recording the Hyaena album before coming back to Reading and work some more on the Cure's album. No wonder he confessed a breakdown later.

It should be noted that Dylan Thomas turned into Robert's favorite poet during this era. Actually when the recording of Birdmad Girl began, the song didn't have the finished lyrics so lines from Love In The Asylum were sung to have a vocal track on tape. The poem refers to a "girl mad as birds".
Another song from the Top album, Bananafishbones, finds its origin in a novel by J.D Salinger entitled A Perfect Day For Bananafish.

Porl Thompson (taking care of the record covers with Andy Vella) was asked to play saxophone on Give Me It at the end of the recording session and finally stayed in the band. A good choice since he could do guitar parts and play the keyboards on stage.

30th
Munchen, Alabama Halle
A one-off live performance for the German TV was set up with Norman Fisher Jones on bass. That was also used as test for later in the event Phil Thornalley couldn't go on tour with the band.



FEBRUARY

02th

Kid Jensen Session, BBC radio
The session included Norman Fisher Jones on bass (Thornalley still being unavailable) , Porl on guitar/keyboards, Lol on keyboards, Andy Anderson on drums and Robert Smith. The songs recorded were The Empty World, Piggy In The Mirror, Give Me It, Bananafishbones.

24th
Manchester, Oxford Road Show TV
Two new songs live on TV (Shake Dog Shake & Give Me It). Norman Fisher Jones on bass with the band for the last time (his time replacing Phil was short-lived).


MARCH

Robert dedicated most of this month to the Banshees : TOTP, touring... Since he wanted to remain Steve Severin's friend. The Caterpillar being the next planned single, the band asked Tim Pope to make a video for the song. It was filmed at the Palm House, Kew Gardens, Surrey. Porl also had to draw the cover in one day being inspired by Dali and Miro's paintings.

30th
The Caterpillar / Happy The Man single release (FICS 20). A quite surprising success followed in the English charts. But the previous singles helped for this national recognition.


APRIL

06th
The Tube TV appearance. Phil Thornalley was now on bass and would stay so for the rest of the year. Robert, Lol, Porl and Andy also helped recording Tim Pope's own single, I Want To Be A Tree, produced by Chris Parry. The vinyl's groove would read : "A Smith is a good as a smile" on the b side. During the same recording at Olympic studios, Robert took the opportunity to record a song on his own (using a drum machine and while being "under the influence") : New Day. The idea for the song dated back December 1983 (Shout / Sadacic) but never really worked out well while making The Top album.

25th
Newcastle, City Hall
A sold out tour in the UK debuted (with And Also The Trees as special guests). Setlists varied quite a bit at the beginning of the tour trying out old songs they wouldn't play anymore after a few dates. Robert Smith probably wanted to concentrate on the rest of The Top songs they just learned (Happy The Man, Dressing Up, Birdmad Girl...). A better equipment than the previous years (sound and lights) and an even more distinctive guitar sound (with lots of effects) brought the Cure to a level they didn't reach before on stage.


MAY

The Top album was released (FIXS 9).

04th
Bristol, Colston Hall
Maybe the funniest moment of the tour happened there, or how to recover from a bad start. Robert announced the opening track, Shake Dog Shake, and nothing happened for ages. So after a while, he just explained : "It's got a quite arty intro". The following night in Oxford was filmed with two cameras for promotional purposes. Only Primary and A Forest would be shown. This particular concert was also recorded (along with London dates) for a live album.




GO TO 1984 PART 2




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